Toutes peintures ā l'huile d'Cano, Alonso
ID Image Painting(From A to Z)    Details 
33635  
Cano, Alonso, At Isidore and the Miracle of the Well
  		 At Isidore and the Miracle of the Well   mk86 c.1646-1648 Oil on canvas 216x149cm Madrid,Museo del Prado
82803  
Cano, Alonso, Portrat eines spanischen Konigs
  		 Portrat eines spanischen Konigs   Oil on canvas Dimensions 165 x 125 cm (65 x 49.2 in) cyf
62369  
Cano, Alonso, Saint John the Evangelist's Vision of Jerusalem
  		 Saint John the Evangelist's Vision of Jerusalem   1636-37 Oil on canvas, 83 x 44 cm Wallace Collection, London This painting, contracted on 23 November 1635, was executed for the convent church of Santa Paula in Seville. It is evident that the artist had mastered an Italianate manner of painting; the figure of the angel alone is sufficient to corroborate this observation. The partly clad body, the complicated, foreshortened pose, and the mastery of anatomical drawing are unique elements in Sevillian painting of the time, as are the deep perspective of the landscape and the delicate, translucent colours. Cano's mastery of this facile, sophisticated style suggests that he had passed time in Italy, although there is not the slightest evidence that he left the city until his final departure in 1638
43826  
Cano, Alonso, Saint John the Evangelist-s Vision of Jerusalem
  		 Saint John the Evangelist-s Vision of Jerusalem   1636-37 Oil on canvas, 83 x 44 cm
67695  
Cano, Alonso, San Francisco de Borja
  		 San Francisco de Borja   San Francisco de Borja (Saint Francis Borgia), oil on canvas, 189 x 123 cm.
55737  
Cano, Alonso, St Isidore and the Miracle of the Well
  		 St Isidore and the Miracle of the Well   mk244 c.1646-1648 Oil on canvas 216x149cm
21633  
Cano, Alonso, St Isidore and the Miracle of the Well (mk08)
  		 St Isidore and the Miracle of the Well (mk08)   c.1646-1648 Oil on canvas, 216x149cm Madrid,Museo del Prado
9848  
Cano, Alonso, St James the Greater
  		 St James the Greater   canvas, Mus??e du Louvre, Paris
20342  
Cano, Alonso, St James the Major (mk05)
  		 St James the Major (mk05)   Canvas,21 1/4 x 14 1/4''(54 x 36 cm).Acquired in 1977
20340  
Cano, Alonso, St John the Evangelist with the Poisoned Cup (mk05)
  		 St John the Evangelist with the Poisoned Cup (mk05)   Canvas,21 1/4 x 14 1/4''(54 x 36 cm).Acquired in 1977
9846  
Cano, Alonso, St. John the Evangelist with the Poisoned Cup a
  		 St. John the Evangelist with the Poisoned Cup a   canvas, Mus??e du Louvre, Paris.
32905  
Cano, Alonso, St.Fohn the Evangelist's Vision of the Heavenly Ferusale
  		 St.Fohn the Evangelist's Vision of the Heavenly Ferusale   mk84 London,canvas 83x45cm
32918  
Cano, Alonso, St.Isidoro and the Miracle of the Well
  		 St.Isidoro and the Miracle of the Well   mk84 1645-50 Madrid,Prado,canvas 216x149cm
32919  
Cano, Alonso, St.Isidoro and the Miracle of the Well
  		 St.Isidoro and the Miracle of the Well   mk84 1645-50 Madrid,Prado,Canvas 216x149cm
28051  
Cano, Alonso, The Dead Christ Supported by an Angel
  		 The Dead Christ Supported by an Angel   mk61 Oil on canvas 178x121cm
9849  
Cano, Alonso, The Dead Christ Supported by an Angel r
  		 The Dead Christ Supported by an Angel r   1646-52, oil on canvas, Muso del Prado at Madrid.
28307  
Cano, Alonso, The Miracle of the Well
  		 The Miracle of the Well   mk60 Oil on canvas 216x149cm
9845  
Cano, Alonso, The Vision of Saint John
  		 The Vision of Saint John   1635, Wallace Collection at London.
43829  
Cano, Alonso, The Vision of St Bernard
  		 The Vision of St Bernard   c. 1650 Oil on canvas, 267 x 185 cm
43830  
Cano, Alonso, The Vision of St Bernard
  		 The Vision of St Bernard   c. 1650 Oil on canvas, 267 x 185 cm
Cano, Alonso
Spanish, 1601-67 Spanish painter, sculptor and architect. He was an artist of rare versatility in 17th-century Spain, although his architectural work was not extensive. While he is also known for his drawings, only about 60 of these are definitely attributable to him, despite the many extant sketches with the name 'Cano' carelessly added by later hands. Unlike most of his Spanish contemporaries, such as Zurbaren or Velezquez, whose artistic styles did not outlive them, Cano's artistic legacy is measured in part by the number of artists who trained in his workshop and went on to become important masters in their own right: the painters Pedro Atanasio Bocanegra, Juan de Sevilla (1643-95) and, more distantly, Jos Risueo, and the sculptors Pedro de Mena and Jos de Mora,



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